All the May programming at the Soho Theater with plenty of flamenco, theater, and opera: last tickets available
Set the date and time for everything happening this May at the Teatro del Soho CaixaBank in Málaga. All the concerts and festivals coming this summer 2025 to Marenostrum Fuengirola: artists, dates, and tickets.
May kicks off strongly at the Teatro del Soho CaixaBank in Málaga, presenting a diverse, vibrant, and high-quality artistic lineup. The month will be highlighted by the prominence of flamenco with names like Israel Fernández, Manuel Liñán, and Mayte Martín, but also by theatrical proposals with deep literary and emotional content, such as El cuarto de atrás (The Back Room) or Música para Hitler (Music for Hitler), and by a major lyrical event with the opera El Caballero de Olmedo. A schedule that reaffirms the Malaga theater as one of the most solid cultural epicenters in southern Europe.
Flamenco at the Soho – Israel Fernández (For the Love of Singing) – sold out
- Date: May 1st
- Times: 20:00
- Tickets sold out...
The Soho stage will be the altar where the singer Israel Fernández and guitarist Antonio el Relojero pay tribute to the flamenco soul with For the Love of Singing, a tour born from their journey through flamenco clubs across the peninsula. The complicity between them, built on glances, silences, and folk wisdom, will be reflected in a now legendary show, whose intimate energy and respect for classic songs (mineras, fandangos, malagueñas, or bulerías) has captivated critics. Sold out for weeks...
The Back Room
- Date: May 3rd and 4th
- Times: Saturday at 20:00 and Sunday at 19:00
- Tickets from 23.36 euros
The Back Room, a key work by Carmen Martín Gaite, is a story between reality and fantasy, placing a writer in front of an unexpected visit in the middle of a Madrid night. From that encounter, a door opens to the memories, fears, and dreams of a generation marked by the post-war period. An emotional piece, full of symbolic layers and poetic resonances, that challenges us about memory and imagination.
El Caballero de Olmedo, opera in concert version
- Date: May 9th to 11th
- Times: Friday at 20:00 and Sunday at 19:00
- Tickets from 28 euros
The opera El Caballero de Olmedo by Arturo Díez Boscovich, in a concert version. Based on the classic by Lope de Vega, this production brings together a constellation of voices like Aquiles Machado, Berna Perles, or Rubén Amoretti, under the direction of the composer himself. Accompanied by the Soho Larios Pop Orchestra and the prestigious Intermezzo Choir, the soloists will revive a story of love, fatality, and honor in a version that already triumphed at the Teatro de la Zarzuela in 2023.
Flamenco at the Soho – Manuel Liñán (Dead from Love)
- Date: May 23rd and 24th
- Times: 20:00
- Tickets from 23.36 euros
Flamenco takes center stage for two consecutive weekends. On May 23rd and 24th, the dancer Manuel Liñán will present Dead from Love, an intimate and provocative choreographic show with 12 artists on stage, where desire, fantasy, and emotion intertwine in a journey through song and embodiment. An experience that delves into the essence of being human through skin and passion.
Flamenco at the Soho – Mayte Martín (Intimate Flamenco)
- Date: May 25th
- Time: 20:00
- Tickets from 25 euros
On May 25th, it will be the turn of the singer Mayte Martín, with her proposal Intimate Flamenco. With her elegant and refined style, Martín will offer an evening where emotion becomes pure art. “Flamenco is my origin, not my yoke,” states the artist, who unfolds a universe of sensitivity and truth in each performance.
Music for Hitler
- Date: May 30th to June 1st
- Times: Friday and Saturday at 20:00 and Sunday at 19:00
- Tickets from 25 euros
From May 30th to June 1st, the Soho will delve into one of the most harrowing stories of the 20th century with Music for Hitler. The play, based on real events, portrays the moment when Pau Casals, exiled after the Civil War, receives a dangerous invitation to perform before the Nazi regime. With an exciting script and a meticulous staging, the play becomes a reflection on the ethics of the artist, dignity, and resistance through music.
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